Posts tagged with ithink

Notes

Some great analysis by scholars at BU and Harvard looking at the daily deals market place. The chart above controversially shows that Groupon appears to have a negative impact on Yelp ratings of its vendors.
But could it not also support the assumption that the average quality of Groupon vendors is below the expectations of the customers who buy Groupon vouchers?
Its also somewhat arguably whether there is a close correlation between Yelp reviewers and Groupon voucher users, particularly outside NYC and SF.
Fascinating none-the-less. As Yipit are proving, the publicly available data on the Daily Deals space can be extremely valuable to analyze. Zoom Image

Some great analysis by scholars at BU and Harvard looking at the daily deals market place. The chart above controversially shows that Groupon appears to have a negative impact on Yelp ratings of its vendors.

But could it not also support the assumption that the average quality of Groupon vendors is below the expectations of the customers who buy Groupon vouchers?

Its also somewhat arguably whether there is a close correlation between Yelp reviewers and Groupon voucher users, particularly outside NYC and SF.

Fascinating none-the-less. As Yipit are proving, the publicly available data on the Daily Deals space can be extremely valuable to analyze.

2 Notes

My friend Mackenzie quit his day job 5 years ago to aggressively pursue fatherhood, but also to start making music full time. He was not interested in recording music for records, or radio release - he just wanted to make great music to score films and TV shows.

I thought about that this morning, when this link came my way. Its a page that lists ever end credit track from every episode of Entourage, including an embedded video of the track. Its one of the best links I have ever received, and my only wish was that it existed as a continuous podcast. Maybe I’ll make it this weekend.

Its a great reminder of what a powerful role TV and film have played in curating music over the last few years. Entourage is a best-in-class example of a show that has always used quality music to reinforce the credentials of the writing and editing. For my money, they have the best selection of end credit music out there. And the list of bands I discovered and rediscovered through the show is long, and stellar: Cold War KidsFunkadelic, Tame Impala to name three.

At a time when TV and film are consuming more engagement hours among the young and impressionable, its great to know that many shows are doing their bit to keep music fresh, relevant and in people’s faces.

Notes

Attracting new customers with old products

ipad2

Apple released the second iteration of their iPad tablet yesterday, and much as was expected, the changes were mostly incremental. Aside from the integration with the very cool Airplay, there were not too many features to get the tech bloggers typing.

Apparently the real changes are coming with iPad 3, rumored to be coming in the fall.

But after the release yesterday, I found myself excited by something else entirely - what would be the price of a first generation iPad a couple of months from now, when the new version is widespread and selling well? And I don’t think I am the only one thinking this way, in fact, Apple’s aggressive and consistent release schedule has created a brand new market for its superseded products.

Take the iPhone 3GS, which AT&T recently began selling for $49 (coupled to a 2 year contract). AT&T are yet to release any sales data for phones at this new price, but a phone that originally went on sale at over 4x that price can be bought just 18 months later, for a price you would expect to pay for an average Motorola clam shell. For AT&T it makes sense - the average value of a customer using an iPhone is higher than other phone types - the expensive data plan being one key point of differentiation. Why not lure new customers in with the iPhone brand, at a subsidized price, and reap the benefit of their spend on the network over time?

Its a great practice for Apple too. No matter how great your forecasting, most manufacturers over-produce, particularly when building a range of blockbuster products, as Apple has been since the launch of the first iPod. Offering excess older generation product at a lower price point, and with clear differentiation, creates an opportunity to acquire a less trend conscious, more price sensitive customer who otherwise might feel alienated by such a forward-focused company.

The iPod classic is a great example of this - at $249 its just $20 more than the cheapest of the new shape iPods, but yet it has a memory that is a full 20x bigger. The difference is merely the form factor, with the older version lacking the slender looks of its successor.

One critical note here - we must differentiate between products that stand alone (iPod), and products that require a contract (iPhone). Its considerably easier to heavily reduce the upfront price of a piece of hardware when you know that you have a guaranteed stream of usage revenue following in its wake.

But most of all, this pricing trend makes sense for the consumer. $49 is a tremendous price for a technically advanced product which is every bit the match of its newer, flashier brother, with the exception of a front facing camera. For those that are prepared to forego the bragging points of always having the latest gadget in their product arsenal, the savings are significant.

One can only assume that Apple will pursue the same policy with the iPad - the critical question is what the price will be. The issue is clouded by the availability of on-contract/off-contract versions, but is it possible that we might see a wifi-only iPad for under $200? I for one will be buying if we do.

6 Notes

An artist makes 250x more for every album they sell through iTunes than in the old record label model.
I still believe that the labels have a critical role to play, but with incentives as misaligned as this, you can understand why the industry is breaking down. Zoom Image

An artist makes 250x more for every album they sell through iTunes than in the old record label model.

I still believe that the labels have a critical role to play, but with incentives as misaligned as this, you can understand why the industry is breaking down.

Notes

Closing knowledge gaps

driverside

There is a lot of money to be made exploiting direct-sales situations where the knowledge base of the seller far exceeds that of the customer. A classic example of this is buying cars, especially in the secondary market.

Many potential car owners feel uncomfortable negotiating on price with car dealerships - they just don’t know enough about the product and the market to have any confidence in their assertions. Businesses like Autotrader have helped bring more balance to the equation; its now pretty straight forward to get a sense of the market value of a car of a certain make, model and age.

A business that caught my attention this week is shedding more transparency onto a related field - the auto repair business. We have all been in the difficult position of not being able to properly assess if a repair quote is reasonable, and not having sufficient time to get a series of quotes to compare.

Driverside lets you enter the details of your vehicle, and of the damage it has sustained, and tells you what you should expect to pay for the repairs. SImple, and so valuable.

Just as many auto repair shops have made a bunch of money exploiting the knowledge gap, I hope Driverside can make money by exposing and closing that gap.